Kamakura-bori Plum Blossom Wood Lacquer Brooch
女性 プレゼント ブローチ アクセサリー 花ブローチ 梅 ウメ 鎌倉彫 木 漆 国産 ギフト 拭き漆 金箔 贈り物 プレゼント 誕生日 伝統工芸品 工房直送 ブラウン【送料無料】5と0の付く日ポイント5倍 デイリーランキング1位受賞
brown鎌倉彫青山工房楽天市場店
5.0 / 11 reviews
¥3,850
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Japanese name鎌倉彫
In Kamakura, Kanagawa, Kamakura-bori grew from Buddhist implements into tea-utensil and daily-use settings, carrying its identity through carved wood, deep lacquer color, maker training, and the Yubigahama craft hall.
Information updated 66 days ago
女性 プレゼント ブローチ アクセサリー 花ブローチ 梅 ウメ 鎌倉彫 木 漆 国産 ギフト 拭き漆 金箔 贈り物 プレゼント 誕生日 伝統工芸品 工房直送 ブラウン【送料無料】5と0の付く日ポイント5倍 デイリーランキング1位受賞
brown鎌倉彫青山工房楽天市場店
5.0 / 11 reviews
¥3,850
View on Rakuten →Japanese · new tab
女性 プレゼント コンパクトミラー 可愛いい ミラー 鏡 オマケ(手作りケース)付き 手鏡 姫鏡 化粧鏡 桜 さくら プレゼント 鎌倉彫 木製 木彫 漆塗り 誕生日 母の日 伝統工芸 工房直送 【送料無料】
with handmade case鎌倉彫青山工房楽天市場店
5.0 / 8 reviews
¥7,700
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プレゼント 女性 可愛い 高級品 花ブローチ 日本的 鎌倉彫 ブローチ 木 漆 国産 手作り アクセサリー レディース 工房直送 アジサイ 紫陽花 ヤマアジサイ 贈り物 プレゼント 誕生日 日本製 伝統工芸品 木製 木彫 赤 青 アイボリー
red, blue, ivory鎌倉彫青山工房楽天市場店
4.9 / 16 reviews
¥5,500
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■セール■ 伝統の小田原漆器 1尺1寸茶びつ|大川木工所・神奈川県
1 shaku 1 sun産直お取り寄せNセレクト
5.0 / 1 reviews
¥78,210
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クラフト木の実 銘木椀 欅 小 ケヤキ 小田原漆器 シンプル お椀 汁碗 飯碗 デザート サラダ 丈夫 誕生日プレゼント 退職祝 還暦 長寿 お祝い お餞別 父の日 敬老の日ギフト 内祝 【伝統工芸・陶器の和遊感】
small和遊感 楽天市場店
5.0 / 1 reviews
¥4,180
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Kamakura-bori brings wood, carved relief, and lacquer onto the same object. At Kamakurabori Kougeikan at Yubigahama 3-4-7 in Kamakura, works by makers are shown, and classes introduce pattern drawing, knife sharpening, carving, and lacquerwork. That present-day entrance connects Buddhist implements from the Kamakura period, tea-utensil use, and a living training environment for hands, tools, wood, and lacquer.
Kamakura-bori begins with Buddhist implements in the Kamakura period. Kanagawa's tourism page describes it as a woodcarving technique developed for making Buddhist implements, while the Kamakurabori Kaikan account places Buddhist implements and tea utensils in its early transmission by Buddhist sculptors. From that starting point, the craft has continued for about 800 years, moving from temple objects into tea settings and later daily life.
The surface of Kamakura-bori is recognized through carved shadow, deep lacquer color, and the warmth of wood. The processes taught around the craft make those traits concrete: pattern creation, sharpening blades, carving wood, and applying lacquer. Relief on the surface is where a drawn motif, a sharpened tool, dark lacquer, and wood meet in one object.
In the Meiji era, the Buddhist sculptor families Goto and Mitsuhashi revived Kamakura-bori as art craft. Their names keep the turning point attached to specific maker lineages rather than a vague change in taste. The revival rests on older carving and lacquer skills while giving those skills a clearer place in craft objects beyond their temple setting.
In 1951, the Kamakura-bori industry formed the Kamakura-bori Cooperative and began projects such as a shared wood-base workshop. In 1968, Kamakurabori Kaikan was built as an activity base with support from Kamakura City and Kanagawa Prefecture. The later training school, shared material purchasing, exhibitions, and hands-on activities show how wood bases, blades, lacquer, and teaching became a community framework.
Today, Kamakurabori Kougeikan is located at Yubigahama 3-4-7 in Kamakura, an address repeated in Kamakura City, Kanagawa tourism, and craft-hall listings. The hall displays works by Kamakura-bori makers and offers group experience classes. Craftsperson-led sessions in knife sharpening, pattern creation, and lacquerwork make the processes visible as a sequence of hands, tools, wood, and lacquer.
In 1978, after a national traditional-craft designation, the industry formed the Traditional Kamakurabori Business Cooperative; in practical terms, that meant successor development, technical training, raw-material research, product inspection, and craftsperson recognition. As Kamakura-bori entered daily life, its continuity stayed attached to specific things: wood, carving, lacquer, trained makers, and shared standards for finished work.
Kamakura-bori can be followed through Buddhist implements from the Kamakura period, tea utensils, the Meiji revival by the Goto and Mitsuhashi families, postwar training and shared wood bases, and the Yubigahama classes in pattern drawing, knife sharpening, and lacquerwork. Wood is carved into shadow, dark lacquer settles over the relief, and the finished object carries Kamakura's temple, tea, and daily-use settings in material form.
Compiled from public records and official sources; see the recognition links below. Details may change over time.
Where this selection is officially registered, designated, or recognized in Japan.
It is written 鎌倉彫 in Japanese. Search Rakuten and other Japanese sites with that spelling — the English name will not return the listings.
Porous earthenware is usually given a "medome" treatment first — simmer it gently in rice-rinsing water (or water with a little flour), then cool, rinse, and air-dry. This reduces staining and absorbed smells. Porcelain normally just needs a wash. Follow the listing where it says otherwise.
Handmade earthenware, pieces with gold or silver overglaze, and lacquerware generally should not go in a dishwasher, microwave, or heated drying cabinet; heat-resistant porcelain usually can. Check the Rakuten listing for the specific piece.
Kamakura carving is a tableware from Kanagawa. We compile its regional connection and characteristics against official registries, local sources, and live Rakuten listings.
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